Rite of….what?

I haven’t changed out of my pajamas today and have been feeling quite lonely and sorry for myself. My husband is in Anchorage working and I miss him. He shouldn’t have to go to Anchorage on the weekends* unless it’s for fun! The man works way too much. So even though I have already posted today, I’m going to post again.

I’ve been listening to the Rite of Spring far too much lately. It opens with a solo bassoon and is known for brutal time signatures and dissonance – what’s not to love? It’s what the kids call a hot mess, and it’s like me, but in classical music form.

I love songs written in odd time signatures, and my favorite movement of the Rite so far, “The Augurs of Spring”, causes me to geek out beyond words. The opening, pounding chord just gets me every time. Call me weird, but the Rite really causes me to think instead of just going along with the piece. It is layered and complex. It’s not for everyone.

Listening to one song by another complex group of artists is enough to make my mom nervous. The group is The Bad Plus, and the song is called “Silence is the Question”. It was a favorite of my dad’s, and it is a favorite of mine. I’ll show it to you.

It’s a bit on the long side, but it’s worth every second. If it makes YOU nervous, feel free and give it a pass. I’ll love you just the same.

These pieces are like me because they are frenetic, all over the place, and don’t always make harmonic – or even rhythmic – sense. I make sense in some ways, but I definitely don’t have enough common sense, I’ll admit that straight off. I change my mind a lot and still don’t really know what I want to be when I grow up. I’ve been playing with the same energy that makes up these songs and myself, and have come up with what could be a musical self portrait. My strumming finger has been out of commission, so I haven’t been able to practice my ukes. I have taken to writing sheet music on my computer instead. Here’s what parts one through three sound like.

The title of Part One is Clusterf**k in C# major (pardon my French here) and it says so on the header of the score. It lives up to its name – two pianos bashing against each other rhythmically and melodically for nearly a minute. It’s in 5/4 and is as crazy as me.

If that’s not crazy enough, I switched things up just to be sadistic for Part Two and wrote in 7/4 with the same seven sharp key signature, my old friend C#. If you’re not musical, all you need to know is that I’m insane. If you are musical, you need no explaining. You already know. On top of that, there are very few parts of Part Two that actually make melodic sense. It’s kind of representative of my manic side.

Part Three is simple compared to the first two parts. 2/4, but same key signature and with a recorder this time. I like recorders. Recorders are nice. I want to see these parts played by someone who knows what they’re doing. I feel like a supervillain cackling in the wings. Or at least I will be.

I now need to write a fourth part that resembles my depressive side, or maybe two. I can see them being very slow and somber. I’m going to keep in C# for as long as I possibly can. I also think I’m going to cool it with the crazy odd time for these next sections. More villainy awaits!

Until next post,

Meg

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*Anchorage is about an hour away from where we live.

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