The best instruments ever

Hello, fine friends! I’m here today to talk about musical composition and how it affects my life. Before we begin, though, here are some tracks for your listening pleasure.

The first, “Your Mind is the Plane”, was recorded in my dorm room with Stephen, my concert uke.

The second, “Five”, was recorded with my beautiful baritone uke, Berri, whose name is a Basque language pun.

The third was recorded on piano in my favorite environment ever, a three story concrete atrium. This is a cover of Civil Twilight’s “Letters from the Sky”. Here they are.

It took awhile to pick which songs to share, but these are some of my all time favorites. “Five” is a nod to my husband. It’s one of his favorite songs of mine. Places, my eighth album, is about us.

Each of these songs represents a different musical language for me. Piano is my first instrumental “language”. It came almost as naturally as singing, and while it took years to get where I am, it flows more easily.

Learning Stephen took far longer, partially because I had to learn uke upside down due to a stroke I had when I was a baby. After a long while, it finally clicked and I was jamming hard the point that my thumbs were bleeding at times.

I picked Berri up in Rexburg, and she was probably the easiest to learn due to my time with Stephen. I’m still learning all three, and it’s frustrating because I have very limited use of my left hand, but I am getting there.

The coolest part about composing and performing for long periods of time is that the songs evolve and sometimes hop from instrument to instrument. Another favorite of mine, “My Island”, started like this:

and is currently sounding something like this:

I also have a bass, but I haven’t done much work with her yet. I primarily sing with my instruments and I want to learn to sing with her, too, but I’m not the best at practicing regularly. I plan on moving her downstairs close to my writing spot.

Music is one of the best forms of worship I have. I feel close to the spiritual when everything connects, and it’s a glorious time. I think things started to connect when I started to know my songs forward and backward and began to record these semi spontaneous moments where I just sat down and captured things perfectly in one take. “Letters from the Sky” is one such example. They don’t happen often, but when they do, they are pure magic. I can’t force music, ever.

My best albums take shape late at night and are powered by Mountain Dew. Mago, Primrose Path, and stay are great examples. I don’t think I’ve talked about stay yet. Anyway, I wish I had a piano here, but Stephen, Berri, and Athena (the bass) are a great crew to have. I need Dew, stat!

I hope you enjoyed this musical extravaganza!

Until next post,

Meg

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